Find composition details, parts / movement information and albums that contain performances of Sonatina for flute & piano on AllMusic. Henri Dutilleux. From the lait works- Ainsi la nuit: String Quartet (). other works and Influentions. Sonatina for flute and piano. serialism, eclecticism, be-. Henri Dutilleux’s Sonatina for flute and piano (perf. William Kincaid flute, Vladimir Sokloloff piano).

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Ainsi la nuit Sonatine for Flute and Piano. Romantic Evening Sex All Themes.

AllMusic Featured Composition Noteworthy. Genre Chamber Music Classical.

Sonatina for flute & piano | Details | AllMusic

Excitement eventually builds until the piano takes over with a jubilant, if initially frantic, melody. The sonatine is structured in 3 sections played without a break. These pieces were intended both to test the technique of the students and provide them with new scores. Masterworks for Flute and Piano. Sonatines for flute and piano. As ofit is Dutilleux’s most often recorded work.


He had a double aim: By using this site, you agree to the Terms of Use and Privacy Policy. The modally-colored yet mostly tonal harmonic language may not reach the maturity of his later works, but the virtuosic technical demands fot sweeping melodies have legitimized the piece as part of the standard repertoire.

Streams Videos All Posts. It concludes with a cadenza that provides a transition to the lyrical second section. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before.

This burbling material soon becomes the flute’s property, and the remainder of the section tests the flutist’s articulation, breath control, and agility in music that grows increasingly lighthearted. Jazz Latin New Age.

Sonatine for Flute and Piano

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Sonatine for Flute and Piano – Wikipedia

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Enjoy my favorite recording of this piece: Drinking Hanging Out In Love. Archived from the original on Sexy Trippy All Moods.

Sonatina for flute & piano

The Sonatine for Flute and Piano is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between and Ashgate Publishing Company, One of a Kind. Emmanuel Pahud and Eric Le Sage.

He once stated that he had never been completely happy that it was played so often [3] but he never withdrew it.